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In Los Angeles, Allison Lang is a bored girl from an upper class dysfunctional family that acts and dresses like a slut. Her wealthy boyfriend and friends are totally influenced by the hip-hop culture, behaving like rappers, dressing and imitating their lifestyle. When they decide to drive to East L.A. for fun, they meet a Latin gang of drug-dealers and Allison and her best friend Emily become fascinated with their “gangsta” lifestyle. Later they return to the ghetto to visit and excite Hector and his friends, expecting to join their 16th Street gang. When the guys propose them to have sex as a form of initiation, they change their mind, leading to a tragic consequence.

At John Hughes High School, the students are the same as just about every other teenager in a teen movie. The popular jock, Jake (Chris Evans), takes a bet from Austin, the cocky blonde guy (Eric Christian Olsen), that he can transform Janey, the pretty ugly girl (Chyler Leigh), into the prom queen before the prom. But two people are trying to stop Jake from succeeding: his evil sister, Catherine, the cruelest girl in school (Mia Kirshner), and Priscilla, the bitchy cheerleader (Jaime Pressly). And all of their friends are the same as any other teen movie: Areola, the naked foreign exchange student (Cerina Vincent), Les, the beautiful weirdo (Riley Smith), Malik, the token black guy (Deon Richmond), the desperate virgins (Cody McMains, Samm Levine, and Sam Huntington), Amanda Becker, the perfect girl (Lacey Chabert), Ricky, Janey’s obsessed best friend (Eric Jungmann), and Sadie, the VERY old undercover reporter (Beverly Polcyn).

Raised in African bush country by her zoologist parents, Cady Heron thinks she knows about survival of the fittest. But the law of the jungle takes on a whole new meaning when the home-schooled 15-year-old enters public high school for the first time and encounters psychological warfare and unwritten social rules that teenage girls face today.

A straight-arrow high-school senior falls in love with the perfect ‘girl-next-door’, only to discover she is a former porn star. He comes to realize that if he wants this very special woman, he better be willing to risk it all and experience a journey for which he never could have prepared.

Mitch, Frank and Beanie are disillusioned with their personal lives begining when Mitch’s nymphomanic girlfriend, Heidi, cheats on him, then former party animal Frank gets married, but unwilling to get go of his wild life, and Beanie is a family man seeking to reclaim his wild and crazy youth. Beanie suggests that they form their own fraternity in Mitch’s new house on a college campus to re-live their glory days by bringing together a variety of misfit college students, losers, middle-aged and elderly retirees as their new friends and later try to avoid being evicted by the new Dean of Students, Pritchard, whom still holds a personal grudge against all three of them.

In 1999, in Claremont, California, the violent Jake Mazursky owes US$ 1,200.00 to the coward drug dealer Johnny Truelove, who is son of the powerful criminal Sonny Truelove. They fight and start a personal war, with Jake breaking into the house of Johnny with his friends, stealing the TV and leaving excrement in the living room. Johnny kidnaps Jake’s fifteen year old brother Zach Mazurka, who has just had an argument with his parents, and brings him to the upper class house of his friend Frankie Ballenbacher. Along a couple of days, Zach meets the friends of Frankie, goes to parties, drinks boozes, smokes pot and has sex with other teenagers. When Johnny realizes that kidnapping means life sentence, he asks the servile scum Elvis Schmidt to kill the boy.

A literary agent moves into a penthouse apartment. Soon after the move, he receives crime scene photographs that seem to have taken place in his new apartment. Next he receives a series of stalker videotapes that document his every move.

Marti DeBergi is a film-maker who decides to make a documentary, a rockumentary actually, about the world’s loudest band, the British heavy metal group Spinal Tap. The movie is in fact a biting satire and spoof of the whole rock and roll scene that passes itself off as a real documentary of a real band. Hilarious behind-the-scenes footage is combined with faux-concert clips to breath life into the imaginary group.

One week before her sex-change operation, Bree receives a call from a 17-year-old identifying himself as her son from a college liaison. Bree’s psychiatrist won’t approve the surgery until Bree deals with this relationship, so Bree flies to New York City, bails the youth out of juvenile detention, and offers him a ride back to Los Angeles without disclosing that she is his father. Both her plans and his go awry, and as secrets will out, what might become a friendship (or more) founders. The lad’s step-father, a sex-change support group, a peyote eater, a Navajo wrangler, and Bree’s family all play their parts in this exploration of family, gender, and expectations.

When his longtime girlfriend Becky says no to marriage and the house he has built, architect Newton Davis takes it badly. Three months later a one night liaison with livewire waitress Gwen gets rather out of control when she tracks down the dream house, moves in, and lets it be known locally that she and Newton are married. Everyone in the small town take to her, including his parents, while Becky shows renewed interest. When Newton realises the situation he suggests to Gwen that continuing the deception might have advantages for both of them.