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Harry and Sally meet when she gives him a ride to New York after they both graduate from the University of Chicago. The film jumps through their lives as they both search for love, but fail, bumping into each other time and time again. Finally a close friendship blooms between them, and they both like having a friend of the opposite sex. But then they are confronted with the problem: “Can a man and a woman be friends, without sex getting in the way?”

This movie transplants the classic tale of “Romeo and Juliet” to New York City in the 1950s. The two feuding families are replaced by brawling street gangs. The Montagues become the Anglo Jets, led by Riff (Russ Tamblyn), and the Capulets become the Puerto Rican Sharks, led by Bernardo (George Chakiris). At a dance, Tony (Richard Beymer), former leader of the Jets and Riff’s best friend, and Maria (Natalie Wood), Bernardo’s little sister, see each other across the room and it’s love at first sight. With opposition from both sides, they meet secretly and their love grows deeper. However, the gangs are plotting one last rumble, a fight that will finally end the battle for control of the streets. Will Tony and Maria’s love carry through a battle that threatens to destroy the people they love around them? With a young, talented cast, a gorgeous score and dance sequences that need to be seen to believe, West Side Story is a must-see!

Alan Johnson has everything he needs to get through life: a good job, a beautiful and loving wife, and their wonderful children. Yet he feels isolated because he finds having a hard-working job and managing a family too much to handle and has no one to talk to about it. Charlie Fineman, on the other hand, doesn’t have a job or a family. He used to have both until he lost his family on the fateful day of 9/11, and the grief he felt caused him to quit his job and isolate himself from everyone around him. As it turns out, Alan and Charlie were roommates in college, and a chance encounter one night rekindles the friendship they shared. They soon feel that their friendship is the one thing that allows them to forget about their problems.

On November 16, 1959, Truman Capote reads about the murder of a Kansas family. There are no suspects. With Harper Lee, he visits the town: he wants to write about their response. First he must get locals to talk, then, after arrests, he must gain access to the prisoners. One talks constantly; the other, Perry Smith, says little. Capote is implacable, wanting the story, believing this book will establish a new form of reportage: he must figure out what Perry wants. Their relationship becomes something more than writer and character: Perry killed in cold blood, the state will execute him in cold blood; does Capote get his story through cold calculation, or is there a price for him to pay?

Early in 1971, McGraw-Hill passes on Clifford Irving’s new novel. He’s desperate for money, so, against the backdrop of Nixon’s reelection calculations, Irving claims he has Howard Hughes’s cooperation to write Hughes’s autobiography. With the help of friend Dick Suskind, Irving does research, lucks into a manuscript written by a long-time Hughes associate, and plays on corporate greed. He’s quick-thinking and outrageously bold. Plus, he banks on Hughes’s reluctance to enter the public eye. At the same time, he’s trying to rebuild his marriage and deflect the allure of his one-time mistress, Nina Van Pallandt. Can he write a good book, take the money, and pull off the hoax?

In the midst of his crumbling relationship, a radio show host begins speaking to his biggest fan, a young boy, via the telephone. But when questions about the boy’s identity come up, the host’s life is thrown into chaos.

Kazakhstani TV personality Borat is dispatched to the United States to report on the “greatest country in the world.” With a documentary crew in tow, Borat becomes more interested in locating and marrying Pamela Anderson than on his assignment.

Peter Parker has finally managed to piece together the once-broken parts of his life, maintaining a balance between his relationship with Mary-Jane and his responsibility as Spider-Man. But more challenges arise for our young hero. Peter’s old friend Harry Obsourne has set out for revenge against Peter; taking up the mantle of his late father’s persona as The New Goblin, and Peter must also capture Uncle Ben’s real killer, Flint Marko, who has been transformed into his toughest foe yet, the Sandman. All hope seems lost when suddenly Peter’s suit turns jet-black and greatly amplifies his powers. But it also begins to greatly amplify the much darker qualities of Peter’s personality that he begins to lose himself to. Peter has to reach deep inside himself to free the compassionate hero he used to be if he is to ever conquer the darkness within and face not only his greatest enemies, but also…himself.

Rowena Price is a muckraking reporter for a New York paper. When her story about a closeted gay Senator who preaches family values is spiked, she quits and soon finds herself investigating the grisly murder of a childhood friend. Her friend had been dumped by ad exec Harrison Hill, so he’s Rowena’s prime suspect. Rowena gets a job at the ad agency as a temp, and she’s soon the object of Hill’s attentions. She’s helped in her subterfuge by Miles Haley, a friend at the paper who has a secret thing for her. Everyone, it seems, has secrets, including Hill, who must keep his affairs from his wife - her money fuels his lifestyle. Murder will out?

In New York, the unemployed divorced Larry Daley is a complete loser. His son Nick is very disappointed with his father that is gong to be evicted, and Larry accepts the job of night watchman in the Museum of Natural History as the substituted for three old security guards that have just retired to raise some money and pay his bills. In his first nightshift, Larry realizes that everything at the museum comes to life at night. The Museum transforms in a complete chaos with the inexperienced Larry, and he learns that since an old Egyptian stone came to the Museum in 1950, the was statues comes to life until dawn. When Larry brings his son to spend a night with him, the three old guards break in the Museum to stole the magic stone. Larry organizes the historic characters to help him to arrest the criminals and save the museum.