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Based on John Steinbeck’s 1937 classic tale of two travelling companions, George and Lennie, who wander the country during the Depression, dreaming of a better life for themselves. Then, just as heaven is within their grasp, it is inevitably yanked away. The film follows Steinbeck’s novel closely, exploring questions of strength, weakness, usefulness, reality and utopia, bringing Steinbeck’s California vividly to life.

Barbara Covett is a veteran and cynical schoolteacher who is close to retirement. She is barely tolerated by her less brilliant and acerbic colleagues who know nothing about her private life which consists mainly of taking care of Portia, her aging cat, and spending countless hours alone. The only means she has found to take the edge off her desperate loneliness is writing in her journal. When Sheba Hart, a younger, attractive woman, joins the faculty as an art teacher, Barbara watches her from afar and has nothing but caustic things to say in her diary about her clothing and her care-free manner. Despite her disdain for this woman, Barbara finds herself reaching out to her. Sheba responds by inviting her to dinner at her house to meet Sheba’s lecturer husband, who is twenty years her senior, and their two children, a sexy and rebellious 16-year-old daughter and a younger boy with Downs Syndrome. Instead of opening herself to these people, Barbara immediately sees them as competition to be beaten in the battle for Sheba’s attention. Later, when Barbara discovers her new friend in a classroom having sex with Steven, a 15-year-old from the school who has artistic talent; she realizes that knowledge of this secret gives her power over Sheba which she can use for her own purposes. Barbara promises to not tell anyone but insists that the affair must end immediately. Sheba says she will but finds herself drawn back to the boy again and again. Sheba seems uneasy with Barbara’s friendship and is appalled when she discovers the older woman might have a sexual interest in her. The tenuous relationship between the two women reaches a crisis point when Barbara’s cat is dying and she asks Sheba to go with her to the vet. She chooses to go with her family to see their son in a play instead. In revenge, Barbara sets in motion the scandal that will rock both their lives in ways they never imagined.

With this dystopian world ravished by war, paranoia and the frustrations of Man the Orwellian vision of Nineteen Eighty-Four, the totalitarian future is now complete and amongst us. With female fertility becoming obsolete, Man cannot reproduce, and no child has been born on the face of the planet for eighteen years. Man, and his future, is dying. Soon he shall be extinct. Theo, the beaten, downtrodden and middle-aged ex-political activist will, unwittingly, become involved in a war of an underground revolt. Here he is active once more, in the perilous journey across England’s Home Counties, with a young girl, Kee, who, to Theo’s bewilderment is pregnant. The first pregnant woman for more than eighteen years. This secret must be protected, at all cost, and mother and child must flee to the mysterious and enigmatic Human Project, across the seas. Their flight is a constant fight for survival. Who can be trusted? Who can keep a secret?

A projectionist bored with his everyday life begins fantasizing about his being one of the superheroes he sees in the movies he shows.

Linus and Davis Larrabee are the two sons of a very wealthy family. Linus is all work — busily running the family corporate empire, he has no time for a wife and family. David is all play — technically he is employed by the family business, but never shows up for work, spends all his time entertaining, and has been married and divorced three times. Meanwhile, Sabrina Fairchild is the young, shy, and awkward daughter of the household chauffeur, who has been infatuated with David all her life, but David hardly notices her — “doesn’t even know I exist” — until she goes away to Paris for two years, and returns an elegant, sophisticated, beautiful woman. Suddenly, she finds that she has captured David’s attention, but just as she does so, she finds herself falling in love with Linus, and she finds that Linus is also falling in love with her.

11-year-old Eliza Naumann comes from an odd family; they all divert their emotional frustrations into secret channels. When Eliza unexpectedly begins winning spelling bees, what had been a stable dynamic within the family becomes disrupted; long held secrets emerge, and a latent spiritual yearning is awakened in her withdrawn father Saul and compulsive mother Miriam. As Eliza moves closer and closer to the national spelling bee, the Naumann family finds itself in a spiral of surprising discovery and jarring uncertainty…

Lucy’s life consists of constant lonliness that is until she saves Peter’s life. Now she is a part of his family, and with a strong heart and fate on her side, others begin to realize what a terrific person she is, especially Jack, Peter’s brother. An extraordinarily true-to-life sequence of events begin to take place as Lucy and Jack become closer and learn more about each other and themselves than one would ever expect from such coincidental, yet believable events.

Elizabeth Masterson (Reese Witherspoon), a dedicated Doctor in San Francisco, had almost no time for anything. When her sister with two kids set her up on a date, she gets into a tragic car crash and gets in a coma. Meanwhile, an artist named David Abbott (Mark Ruffalo) moves into San Francisco and coincidentally, into Elizabeth’s apartment for rent. While at the apartment, Elizabeth’s spirit haunts him. She doesn’t remember who she is, who her family is, and what she did - All that she remembered was her apartment and where everything was. To settle the arguments, Dacid agrees to figure out who Elizabeth really is. When they get close to figuring out who she is, they eventually find love in each other and as they finally know who she really is, they learn that fate really has put them both together.

A modern day fairy tale which tells the story of Edward, the man created by an inventor, who died before finishing him and left Edward with scissors where he should have hands. One day when the local “Avon” representative calls at the historic mansion where Edward has been living alone, she takes him home to stay with her family. He has to adapt to the new life and environment that he isn’t used to. Soon he shows a talent in cutting hair and hedges, and wins every body’s heart. But life isn’t always so sweet…

Harvey Pekar is file clerk at the local VA hospital. His interactions with his co-workers offer some relief from the monotony, and their discussions encompass everything from music to the decline of American culture to new flavors of jellybeans and life itself. At home, Harvey fills his days with reading, writing and listening to jazz. His apartment is filled with thousands of books and LPs, and he regularly scours Cleveland’s thrift stores and garage sales for more, savoring the rare joy of a 25-cent find. It is at one of these junk sales that Harvey meets Robert Crumb, a greeting card artist and music enthusiast. When, years later, Crumb finds international success for his underground comics, the idea that comic books can be a valid art form for adults inspires Harvey to write his own brand of comic book. An admirer of naturalist writers like Theodore Dreiser, Harvey makes his American Splendor a truthful, unsentimental record of his working-class life, a warts-and-all self portrait. First published in 1976, the comic earns Harvey cult fame throughout the 1980s and eventually leads him to the sardonic Joyce Barber, a partner in a Delaware comic book store who end ups being Harvey’s true soul mate as they experience the bizarre byproducts of Harvey’s cult celebrity stature.