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A literary agent moves into a penthouse apartment. Soon after the move, he receives crime scene photographs that seem to have taken place in his new apartment. Next he receives a series of stalker videotapes that document his every move.

A young man (Lerman) moves from Montana to Florida with his family, where he’s compelled to engage in a fight to protect a population of endangered owls.

In Hollywood, the young teacher Nell (Angela Bettis) and her husband, the resident Steven Barrows (Brent Roam), move to an old building called Lusman Arms. Some sixty years ago, the place was glamorous, but presently is completely decadent, inclusive many dwellers have disappeared along the years. While her husband is working in the hospital, the lonely Nell hears some weird noises and becomes afraid of the place. While jogging, she is introduced and becomes close to her neighbor Julia Cunningham (Juliet Landau) and they schedule a hike together on the next day. Julia never shows up, and Nell looks for her in the building, finding a hiding block behind the wall, where an evil being, which was born from death, lives with many dead bodies.

Mathilda, a twelve-year old New York girl, is living an undesirable life among her half-family. Her father stores drugs for two-faced cop Norman Stansfield. Only her little brother keeps Mathilda from breaking apart. One day, Stansfield and his team take cruel revenge on her father for stretching the drugs a little, thus killing the whole family. Only Mathilda, who was out shopping, survives by finding shelter in Léon’s apartment in the moment of highest need. Soon, she finds out about the strange neighbour’s unusual profession - killing - and desperately seeks his help in taking revenge for her little brother. Léon, who is completely unexperienced in fatherly tasks, and in friendships, does his best to keep Mathilda out of trouble - unsuccessfully. Now, the conflict between a killer, who slowly discovers his abilities to live, to feel, to love and a corrupt police officer, who does anything in his might to get rid of an eye witness, arises to unmeasurable proportions - all for the sake of a little twelve-year old girl, who has nearly nothing to lose.