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Fargo is based on true events that occurred in Minnesota in 1987 with the names changed to protect the victims. Jerry works in his father-in-law’s car dealership and has gotten himself in financial problems. He tries various schemes to come up with money needed for a reason that is never really explained. It has to be assumed that his huge embezzlement of money from the dealership is about to be discovered by father-in-law. When all else falls through, plans he set in motion earlier for two men to kidnap his wife for ransom to be paid by her wealthy father (who doesn’t seem to have the time of day for son-in-law). From the moment of the kidnapping, things go wrong and what was supposed to be a non-violent affair turns bloody with more blood added by the minute. Jerry is upset at the blood shed, which turns loose a pregnant sheriff from MN who is tenacious in attempting to solve the three murders in her jurisdiction.

The director of such off-beat independent films as In the Soup, director Alexandre Rockwell once again teams with that film’s star to deliver this Los Angeles-based comedy concerning superstition and intersecting lives. Things aren’t looking so good for television clown Banana’s (Steve Buscemi) career, and the fact that his estranged wife, Suzi (Jennifer Beals), has just been arrested for assaulting his girlfriend, Lily (Karyn Parsons), just serves to compound Banana’s despair. Teaming with sidekick Binky (Peter Dinklage) to enlist the aid of bail-bondsman Mo (David Proval), Banana and Binky discover that Mo is currently negotiating the release of hip-hop mogul Lenny’s (Daryl Mitchell) wife, Sandra (Rose Rollins). The hapless group soon teams to help Mo by finding a suitable kidney donor for the bail-bondsman’s ailing son, and though they quickly happen across a drunk (Peter Stormare) who fits the bill, the trouble comes in keeping the prospect in the hospital. Doing their best to help Mo’s son under increasingly chaotic circumstances, personal tensions flare as each character desperately tries to simultaneously battle their own inner demons.

Five men wake up in a locked-down warehouse with no memory of who they are. They are forced to figure out who is good and who is bad to stay alive.

Three college slackers, Anderson Lee, Cory Jones and Nelson Elliot, plan a good time away from their college by heading out to Daytona Beach for Spring Break. But along they way, they get detoured into the small, off-the-map, town of Pleasant Valley, Georgia, where they, along with three drifters, Joey, Kat and Ricky, and biker Malcolm and his girlfriend Leah, are welcomed as guests of honor by the cheerful but sinister-looking Mayor Buckman for the annual Pleasant Valley Guts and Glory Festival. Unknown to the eight unsuspecting Northerners, Mayor Buckman and the residents have more in store where they plan to use the festival as a blood ritual by separating the guests and killing them off one-by-one in ultra-gory fashion.

WWII. Joe Enders, a decorated Marine who is by-the-book to a fault, is just coming back on duty (by cheating on his medical tests). “Ox” Anderson, much greener, is also getting the same new task: Protect the Navajo codetalkers (Ben Yahzee and Charles Whitehorse, respectively). While Enders is initially frustrated with his assignment, his respect grows as the codetalkers prove their worth in the brutal battle to take Saipan.

When “The Dude” Lebowski is mistaken for a millionaire Lebowski, two thugs urinate on his rug to coerce him into paying a debt he knows nothing about. While attempting to gain recompense for the ruined rug from his wealthy counterpart, he accepts a one-time job with high pay-off. He enlists the help of his bowling buddy, Walter, a gun-toting Jewish-convert with anger issues. Deception leads to more trouble, and it soon seems that everyone from porn empire tycoons to nihilists want something from The Dude.

The story of irreverent supernatural detective John Constantine, who has literally been to Hell and back. When Constantine teams up with skeptical policewoman Angela Dodson to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists just beneath the landscape of contemporary Los Angeles. Caught in a catastrophic series of otherworldly events, the two become inextricably involved and seek to find their own peace at whatever cost.

1960, small town France. Vianne Rocher and her pre-teen daughter move into town and open a chocolate shop just as lent is beginning. The town’s small-minded mayor can’t accept this and does his best to shut her down, but her warm personality and incredible chocolates manage to win over many townsfolk. Things get shaken up even more when a group of river drifters, led by Roux, stop into town (to the even greater distress of the mayor) and Vianne takes up with him. Meanwhile, she’s been helping Josephine out of her abusive marriage and her equally freethinking landlord, Amande Voisin, get together with her grandson, Luc, whose mother doesn’t approve of Amande’s ways.

Narcotics cops Mike Lowrey (Smith) and Marcus Bennett (Lawrence) head up a task force investigating the flow of ecstasy into Miami. Their search leads to a dangerous kingpin, whose plan to control the city’s drug traffic has touched off an underground war. Meanwhile, things get sexy between Mike and Syd (Union), Marcus’s sister.

In the year 2054 A.D. crime is virtually eliminated from Washington D.C. thanks to an elite law enforcing squad “Precrime”. They use three genetically altered humans (called “Pre-Cogs”) with special powers to see into the future and predict crimes beforehand. John Anderton (Tom Cruise) heads Precrime and believes the system’s flawlessness steadfastly. However one day the Pre-Cogs predict that Anderton will commit a murder himself in the next 36 hours. Worse, Anderton doesn’t even know the victim. He decides to get to the mystery’s core by finding out the ‘minority report’ which means the prediction of the female Pre-Cog Agatha (Samantha Morton) that “might” tell a different story and prove Anderton innocent.